FCP User Groups and Digital
filmmakers from Los Angeles, Boston, Mexico, Italy, Germany,
UK and from around the world headed to Amsterdam, The Netherlands
for the First Annual IBC FCPUG SuperMeet on Sunday, 14 September,
2008 at the Gashouder on the grounds of the beautiful Culture
Park Westergasfabriek as part of IBC. This event was the largest gathering of FCP Users
and Gurus on the planet during IBC week. These podcasts are hosted
by Macvideo.tv.
Paul Saccone, Director
of Applications, Marketing, Apple, shows off the latest features
of Final Cut Pro, including support for Panasonic's AVCCAM format,
the latest in the development of ProRes including support for
ProRes playback within a Windows environment, and the ability
to edit native RED 4K files in realtime in a 2K sequence in Final
Cut Pro. This material can then be worked with using the latest
version of Apple's Color. New new tools have been added to enable
one to manipulate the native RED 4K files in a non-destructive
environment.
top
Luke Tristram, Senior Product
Marketing Manager, Apple, gives a demonstration of working with
native RED 4K files using Final Cut Pro, Final Cut Server and
Color.
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QuVIS, an imaging
processing and Digital Cinema pioneer, will introduces exciting
new Digital Cinema technology for Final Cut Studio.
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Grass Valley/Thomson's Director
of Marketing Scott Sheehan show a short video of high quality
JPEG 2000 shot on the Infinity Camcorder and edited with Final
Cut Pro. The video is followed by a short demonstration of the
file-based workflow between the Infinity and FCP. This
includes a full 10-bit, 4:2:2, JPEG 2000 workflow that uses the
recently released I-J2K Suite from CineForm as well as MPEG-2
HD workflow using the Telestream Flip4Mac solution.
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Adobe's Creative
Solutions Evangelist, Karl Soule will show how Adobe Production
Premium can compliment your FCP workflow.
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Known to Red Digital
Cinema Camera users as MacGregor, Miguel de Olaso from Spain,
shows footage from the Red Camera and talks about the workflow
needed to get files direct from the RED and into Final Cut Pro.
In this piece we get an overview as to where RED sits in scale
when compared to others formats on the market and also how work
with these images in post-production, how to save time to meet
ultra-tight deadlines, and what one can achieve treating the
images to get the most out of them.
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Here we have 10
essential Final Cut Pro techniques demonstrated. These are workflow
tips which streamline the editing process and teach you to get
things done quickly. It's been said before that anybody can edit,
though not everybody can edit well. The tips and tricks shown
here are both useful and effective in knocking out edited pieces,
whatever the job may be.
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Filmed at the IBC FCPUG
Network Supermeet, this piece provides a rare insight into the
filmmaking process. Writer Director, Jeffrey Nachmanoff and film
Editor Billy Fox, talk about the making of Traitor, a feature film which sits between
an independent production and a Hollywood blockbuster. This film
has taken an interesting route, beginning as a Disney production,
and ending up being produced on a budget siginificantly lower
than most feature films.
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SuperMeet
Podcast Credits
Produced by: - Daniel
Berube, Michael Horton and Rick Young
Editor: - Rick Young
Camera: - Rick Young,
Ben King, Daniel Berube
Special
Thanks to  for hosting these
Podcasts
The SuperMeet
is produced in association with:
Catering by
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Event Sponsors
SuperMag Online
2010
SuperMag
Issue No. 4
Over 300
pages of FCS, ADObe and Avid tutorials and videos
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2009
SuperMag
Issue No. 3
174
pages of articles and FCS tutorials
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2008
SuperMag Issue No. 2
100
pages of articles and FCS tutorials
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2007 SuperMag Issue No. 1
92
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