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Adobe Blackmagic Design
Red Giant

Third Annual London SuperMeet
Friday, 28 June 2013: 19:00 - 23:00 (doors open at 16:30 for
Digital Showcase. SuperMeet begins at 19:00
)
at the THE GREAT HALL, KENSINGTON CONFERENCE & EVENT CENTRE

With Special Guest, Oscar Winner Tom Rolf, A.C.E.
(TAXI DRIVER, THE RIGHT STUFF, WARGAMES)


INTERESTED IN SPONSORING AND BEING AT THE SUPERMEET?

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RAFFLE PRIZES COMING SOON


GlideCam 4000 Pro
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SuperMag Online


2010 SuperMag Issue No. 4
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174 pages of articles and FCS tutorials
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2007 SuperMag Issue No. 1
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COMMIT EARLY! EARLY BIRD TICKETS ON SALE THRU 29 MAY

Mingle, Network, Enjoy a few cocktails and party with industry peers while learning latest trends in collaborative editing workflows! Be a Part of the Third Annual London SuperMeet Community at the Kensington CEC!

Join the Creative Pro User Group Network (CPUG Network), including CPUG and digital video user groups around the Globe in London for the largest gathering of creative and collaborative editors, Adobe, Avid, Final Cut Pro, DaVinci Resolve and Lightworks gurus, Visual Storytellers and collaborative Digital Filmmakers in London in 2013!

SuperMeets provide the postproduction and broadcast community an opportunity to not only learn about latest technology trends, but to network and share industry news and opportunities in a social setting that is both educational, exciting and fun!

COMMIT EARLY! EARLY BIRD TICKETS ON SALE THRU 29 MAY

  • Where? - THE GREAT HALL, KENSINGTON CONFERENCE & EVENT CENTRE
    Kensington Town Hall,
    Hornton Street,
    London, W8 7NX
    Click HERE for map.

  • When? - Friday, 28 June, 2013 Doors open 16:30 for SuperMeet Digital Showcase featuring 16 vendors and PLENTY OF NETWORKING - SuperMeet 19:00 - 23:00
  • How Much? EARLY BIRD TICKETS £10.00 per person plus ticket fee.
    £10.00 for Students with valid ID plus ticket fee.
    £20.00 per person at the door
    Ticket will include 2 raffle tickets.
  • Any raffle prizes? Of course. £2.00 per raffle ticket or 3 for £5.00
  • Who should attend? - Digital Content Creators who work on a Mac and anyone and everyone who wants to learn something and meet others who may know more than you do.
  • Food and Drink? - Food (free) and Cash Bars will be available. Mingle & enjoy a few cocktail

STAY TUNED FOR COMPLETE AGENDA


- A Conversation with Film Editor Tom ROlf, A.C.E.
We welcome film editor Tom Rolf, A.C.E. to the SuperMeet. We will post complete details shortly. There will be time for questions.

About Tom Rolf
Jernst (Tom) Rolf, A.C.E. was born in Stockholm, Sweden on a New Year’s Eve, as he says, “long, long ago.” Both his parents were established entertainers (mother an actress, father an actor, singer, producer), so when Tom immigrated to America, it was probably predestined that he would end up in the entertainment field. After stints working as a ski patrolman, a seaman for the Norwegian Merchant Marine, and a three-year hitch in the U.S. Marines, he asked his stepfather, then a successful director at M-G-M, how he could get started on a similar career. The advice was to get into the cutting room: "You will learn everything about directing by being a film editor first."

Rolf became a member of the Editor’s Guild in the mid-fifties and spent the then-required eight years working as an apprentice and assistant editor, both in Europe and America before getting a chance to co-edit his first film, THE GLORY GUYS, for United Artists.

These beginnings lead to better assignments like UNDERGROUND, THE McKENZIE BREAK and THE HUNTING PARTY. Rolf was also involved in television at this time and was responsible for editing numerous segments of “Burke’s Law” and “The Big Valley,” plus a TV pilot entitled "The Savages". While associated with “The Big Valley,” Mr. Rolf served three years as Editorial Coordinator.

The turning point in Rolf’s career was Martin Scorsese’s TAXI DRIVER (for which he received a British Film Academy nomination) and John Frankenheimer’s FRENCH CONNECTION II back-to-back – an experience that he attributes to “very good luck.” While he considers his work on Philip Kaufman’s THE RIGHT STUFF the most important (the film was awarded the Best Film Editing Oscar), his favorite editing assignment was JACOB'S LADDER, directed by Adrian Lyne. In addition to ACE Eddie nominations for THE HORSE WHISPERER and THE RIGHT STUFF, Rolf also received the ACE Eddie Award in 1984 for his work on WARGAMES and a Career Achievement Award from ACE.

Rolf’s other feature film credits include, among others, BLACK SUNDAY, BLUE COLLAR, 9 1/2 WEEKS, STAKEOUT, BLACK RAIN, SNEAKERS, THE PELICAN BRIEF, DANGEROUS MINDS, HEAT, THE DEVIL'S OWN and EXORCIST: THE BEGINNING for director Paul Schrader.

He is a past, two term, President of American Cinema Editors (ACE), and was a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences for 15 years (5 terms).


STAY TUNED FOR COMPLETE AGENDA


- ALSO: Don't miss EditFest London -

EditFest London

Saturday, 29 June 2013

 

 

Atomos

Autodesk

Avid

Boris FX

EditShare

FilmLight

G-Technology

Lightworks

Coming Soon

 

Noise Industries

Telestream

Coming Soon

 

Alchemea

Art of the Guillotine

DVInfo.net

EditFest London

FCP.co

Handheld Hollywood

Hollywood Reinvented

MacVoices

Movie Machine

Production Hub

Pro Video Coalition

SF Cutters

If you wish information on sponsoring this event, write us and we will send you all you complete details to participate.

 

 

 

 

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