SuperBlog
Blackmagic Design Announces New ATEM Mini Extreme ISO G2
Powerful new live production switcher with 8 HDMI inputs, broadcast style control panel, multi-view, Thunderbolt for capture/playback and replay, DVEs and more!
Blackmagic Design Announces New DeckLink IP 100G
New PCIe capture and playback card for up to 8 channels of simultaneous Ultra HD video plus 2 x 100G Ethernet ports for full redundancy.
Blackmagic Design Announces New Blackmagic Cloud Backup 8
Rack mountable 8 bay hard disk dock with 10G Ethernet, Blackmagic Cloud sync and HDMI monitoring output for low cost backup of large media files!
Blackmagic Design Announces New HyperDeck Shuttle 4K Pro
Desktop based HyperDeck with large 7″ LCD, ergonomic transport controls, built-in network storage, and recording in H.264, H.265, Apple ProRes and DNx file formats!
Blackmagic Design Announces New Blackmagic PYXIS 12K
Advanced digital film camera in a versatile design with revolutionary full frame 12K RGBW sensor in EF, PL or L-Mount, Blackmagic RAW and global media sync with Blackmagic Cloud!
Blackmagic Design Announces DaVinci Resolve 20
Massive update adds over 100 new features
including DaVinci AI tools, keyframe editor, voice over palettes,
multi-layer compositing tools plus chroma warp, Magic Mask 2 and more!
2025 Oscar® Nominated Films Powered by Blackmagic Design
Blackmagic Design today congratulates the distinguished films and filmmakers that were nominated as part of the 97th Academy Awards®.
Oscar® Nominated Film A Lien Graded with DaVinci Resolve Studio
day announced that the Oscar® nominated film “A Lien” was graded by Colorist Dante Pasquinelli of ETHOS Studio using DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software, along with a DaVinci Resolve Mini Panel.
The Brutalist Stands Tall Among Award Contenders
With ten Academy Award® nominations and multiple BAFTA nods, including Best Cinematography and Best Production Design, the film stands as a testament to collaborative filmmaking, defined by the partnership between director Corbet, cinematographer Lol Crawley, and colorist Máté Ternyik.
Blackmagic URSA Cine 12K LF Used on Peacock’s LAID Series
Pivotal scene captured in open gate at 220 fps with Blackmagic Design’s first large format camera.